Living Cinema : Bob Ostertag & Pierre Hébert

Living cinema at Reading Room


Living Cinema: Live Experimental Sound and Image Performance

By Bob Ostertag & Pierre Hébert
Saturday April 27, 7pm
At The Reading Room, Silom 19

The project brings the creation of cinema out of the movie and recording studios and on to the stage. Ostertag has created innovative software which allows the two artists to actually perform an animated movie with soundtrack, live of stage.

For decades, Pierre Hébert was considered one of the masters of the unusual craft of creating animated films by engraving directly on film. Living Cinema allows him to apply the craftsmanship acquired through years of engraving on film to whatever materials he wishes to use. Ostertag brings his years of experience with live manipulation of sampled sound to the project, using a variety of objects and techniques to create a soundtrack that is synchronized with the image as both are both being created. The flexible, open-ended character of Living Cinema gives the artists the ability to respond immediately to political and cultural events in a way that conventional cinema never could. The work is thus profoundly influenced by world events.

Living Cinema has performed at major museums of modern art in the US, Europe, and Japan, at Lincoln Center, and at many major international film festivals since 2000.

About the artists:
Bob Ostertag is a composer and writer who has been doing experimental music at major venues around the world since the late 1970s. Composer, performer, historian, instrument builder, journalist and activist, Ostertag’s work cannot be easily pigeonholed. He is widely hailed as one of the great exponents of spontaneous electronic composition of the last 30 years. He has performed at music, film, and multi-media festivals around the globe. His radically diverse collaborators include the Kronos Quartet, John Zorn, Mike Patton and Anthony Braxton. His writings on contemporary politics have also been published on every continent and in many languages. He is currently Professor of Technocultural Studies and Music at the University of California at Davis.

Pierre Hébert is a filmmaker and protégé of Norman McLaren. He has been a major figure in animation for many decades and the recipient of several lifetime achievement awards. He was first known for his abstract experimental films dealing with perception phenomena; later, his films became more socially and politically involved. He has also taken part in live performances with musicians and choreographers and his films evolve from multidisciplinary practices. Throughout his career, Hébert has experimented with hybrid cinematic forms as a way of expressing his anthropological and humanistic view of the world, exploring themes of urban alienation, social politics, the particularities of place and geography, the presence of forgotten histories in everyday life, and the impact of industry upon the environment.

More info:

Image from the gallery Inner Shields. ©Pierre Hébert

Focus on Animation : Pierre Hebert

Couldn’t believe that I met them today and really talked to Hebert! Even it’s a very short conversation due to a lot of people is also waiting to talk to him, he’s very very kind artist. I really wish that I could talk to both of them! The performance tonight was epic! Hebert talking about his life and he’s mention about Norman McLaren that I’ve already forgot about him so I searching about him again. And after that I research more about Bob Ostertag & Pierre Hébert, I recommend you, if you haven’t heard this name before or you’re interesting in animation, to spend sometime visit those links. You won’t be disappoint! 🙂

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Metamorphosis Play

Metamorphosis Play

The idea for the Metamorphosis Play was conceived by comparing and observing the interplay between architecture, design, fashion, photography, art and lifestyle.

Jonsi live performance: 59productions

Here’s a breathtaking live performance design and produce by 59production from UK. I’ve fall in love with this production house since I was third year. Really wish that I could have my internship there! (But I ended up internship nearby Thailand because of finical problem = =!)

I love all those happening on the stage. The integration of animation, installation, and light is going really well with Jonsi’s music.
See the Making of below for more interesting stuff.


Se7en (1995): Making of video on The Art of Title

Seven: Making of video on The Art of Title

read more in the link above

Directed in 1995, David Fincher’s Se7en is a film that defies easy categorization. Perhaps too dark to qualify as a golden classic despite having all the right ingredients, neither is it a cult film in the traditional sense, as it is stocked with A-list talent and propped up by a smart script, a memorable score and rich cinematography, and a production value in lockstep with Fincher’s own vision for the film.


TOGETHER : inspiring animation blog on social content


Surfing randomly through Stuff pick in Vimeo then I found this interesting concept of the company. While scanning through their website I still get the smily face of the logo stuck in my head and it make me lift-up unconsciously and feel really happy just to looking at their work. I can feel that people working here are friendly and are positive thicker. They described themselves like this : (original content at


Founded in the spirit of independent and collaborative creation, TOGETHER: Words+Pictures for Art & Culture develops and produces animated content for the arts, cultural, and non-profit communities. We are happy writing, designing, and animating content for documentaries and films, theatrical stage visuals, art exhibit promos, and book trailers.

Here’s one of the work they created, it’s really cute!

Beastly Bards: Typesetter Blues

Typesetter Blues is a 3-minute animated short starring a likeable monster named Harold. In this melancholy love story, Harold falls for a new coworker, who unfortunately falls harder for someone else.





Inspiration for theatre set design : paper

Inspiration for theatre set design

Once I have collected inspirations for the student theatre play in preproduction stage but the project was flooding with disaster in Thailand. By that time, I was obsessed with paper sculpture because it’s easy to find material and could make varieties of stuff from it.
peper performance that could be adapt with Design Fundamental process of thinking.

Paper sculpture
playing with light and paper

Inspiration resource on paper

paper form space

peter-gentenaar paper sculpture

playing with light


shadow is beaming

Below this is link to the source site by clicking on the image

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